The book of Exodus continues the stories of Genesis in many ways, but is discontinuous in one major detail. In Genesis brothers despise one another and fight for primacy, sometimes from the womb. In Exodus, the siblings Miriam, Aaron and Moses get along and support one another through difficulties. True, at the golden calf incident Moses will chide his brother, and later in Numbers Miriam and Aaron voice criticism of their dominant brother, but for most of the stressful passage from slavery to revelation, they are a solid team.
Especially as they go to confront Pharaoh, Moses and Aaron present a united front. In Chapter 6, verses 26-28, the Torah uses an unusual expression, literally, “he is Aaron and Moses,” and then, “he is Moses and Aaron.” The singular pronoun הוא emphasizes their solidarity, and the reversal of order implies their equality.
Midrash Mekhilta notes the order reversal and links this to many other situations in which the Torah reverses order. For example, in the Decalogue Israel is commanded to “honor your father and mother” but in Leviticus 19 they are told, “revere your mother and father.” Likewise heaven and earth are also listed as earth and heaven, and the patriarchs are listed in reverse order in Exod. 3. The point is that all of these subjects are considered equal. The listing of Aaron first in this passage is unusual but sufficient to establish that the brothers were equals.
And yet, there are differences between Moses and Aaron. Continue reading
Although our portion introduces the Torah’s greatest figure, Moses, many of the most decisive characters this week are women. There are the midwives, Shifra and Puah, who defy Pharaoh, and Yocheved, the mother of Moses, who hides her child as long as possible, and later, Tziporah, the wife of Moses, who acts decisively to ward off a mysterious attacker, saving the life or lives of her son(s) and perhaps her husband. But the most impressive woman of them all is Miriam, the older sister of Moses, who is also identified as a prophet.
Early in chapter 2 we read, “His sister stood at a distance to know what would happen to him.” Miriam is not only watchful and passive—three verses later she will make a risky move, approaching Pharaoh’s daughter with an audacious offer. But before she acts she observes, and this quiet moment noticed by the Torah is worth exploring. Continue reading
The paradox of Parashat VaYigash is that it opens with reconciliation but ends with alienation. Perhaps this is no paradox, but just a pendulum swing. As we ask in the piyyut unetaneh tokef, מי ירום ומי יושפל, “who will be raised high, and who will be brought low?” Joseph was enslaved by his brothers, and he has returned the favor. They are beautifully reconciled at the start of the portion, but a pattern has been established. By the end of Vayigash the proud and powerful Egyptians are brought low by famine and ultimately enslaved, while the humble herders from Canaan are raised high, growing mighty in the land of Goshen. If so, then the pendulum will swing back again soon, raising the Egyptians high and bringing the Israelites into destitution and enslavement. Continue reading
On the eve of his dreaded reunion with Esau, Jacob remained alone in the dark, and “a man wrestled with him until the break of dawn.” The mysterious assailant injured Jacob, dislocating his thigh, but Jacob refused to let go, so the man pleaded with him, saying: “Let me go, for dawn is breaking!” Jacob replied, “I will not let you go unless you bless me.” The assailant asked for Jacob’s name, and conferred a new one, Israel, “for you have striven with beings divine and human, and have prevailed” (Gen. 32:25-29).
This puzzling passage cries out for interpretation. Who was this man, and why did he attack Jacob? Why was he in such a hurry to depart before dawn? How did Jacob manage to hold on, despite his injury? If this was an unprovoked and injurious attack, then why did Jacob try to prolong it, even asking his attacker for a blessing? Who does that? How is the new name Israel a blessing, and if it really is, then why does the Torah continue to refer to him as Jacob? Why do we?
Into this blizzard of questions step the Rabbis, and they offer many answers. According to the Talmud (BT Hullin 91b), during their match Jacob questions the man—are you a thief of some sort that you are afraid of daylight? “No,” he replies, “I am an angel, and today is my first turn to sing the morning praise.” In a parallel midrashic version (Gen. Rabbah 78), Jacob pragmatically offers, “then let one of your friends sing the praise today, and you can sing tomorrow.” The angel replies, “If I miss today, then they will say, since you didn’t praise yesterday, you can’t praise today.” Continue reading
Not that there was any serious doubt, but Jacob proves himself to be mama’s boy as soon as he arrives in town. Recall that when Abraham’s servant arrived many years ago, Rebecca jumped into action, drawing water for the ten camels, simultaneously demonstrating strength and compassion. Like mother, like son, Jacob demonstrates strength and compassion when he waters Rachel’s sheep, though he also signals vulnerability when he breaks down and cries before his cousin.
The story is familiar—the shepherds tell Jacob they must wait to uncover the well, since the capstone is too heavy for just a few men. Seeing Rachel approach he is filled with strength and accomplishes the feat alone. There are many word plays that enrich this narrative—Rachel means an ewe; he cares for her sheep, hoping to win her love (whether he succeeds remains a mystery). The words “he watered” (vayashk) and “he kissed” (vayishak) are spelled the same way (וישק), reinforcing the romantic aspect of his animal husbandry. Yet the love here is not only for his newly met cousin. It remains focused on his now distant mother. The psychological drama is intense in this scene; Jacob reconnects with his mother, acting as she acted, returning in her stead to her home, but eager to return to her before too long.
Already in Midrash Bereshit Rabba the sages of Israel added new texture to this narrative. When Jacob removes the stone the text says va’yagal (ויגל) which is different from the form of the verb used just previously, va’yegalalu (ויגללו). The latter form means, “they rolled” the stone, which is what you would expect with an object too heavy to lift, even by a crowd of shepherds. Jacob’s verb seems to mean “he uncovered” which the Midrash compares to the effortless way that a person pulls a cork from a bottle. In other words, Jacob was not only strong, but super-strong. In this he is like Rebecca, who draws hundreds of gallons of water for a train of thirsty camels and then keeps going, helping the servant and then offering him hospitality. She is strong and kind, and so is her son. Continue reading
A cloud of loneliness and loss hangs over Parashat Hayei Sarah. The main losses are the deaths of our first matriarch Sarah and our first patriarch Abraham, but even the happier moments are overcast with sorrow. Why, in chapter 24, does Abraham send his servant to find a wife for Isaac? Three reasons immediately come to mind. The first is stated explicitly: Abraham doesn’t trust the Canaanite neighbors (who have just given him grief over the burial plot for Sarah) with his son; implicitly, he doesn’t trust Isaac to make the journey and match by himself; finally, Abraham is too aged to handle the task, or too worried to leave Isaac alone at home, and so he sends a servant to do the deed.
What a difference ten chapters make. Back in Genesis 14 when Abraham learned of the capture of Lot, he wasted no time, leading his servants into battle to rescue his nephew, vanquishing the local warlords almost as an afterthought. Now in chapter 24, Abraham is old, and not yet satisfied with his years. He is sad and uncertain what will become of his son and of God’s promise. Isaac at forty is incapable of handling his own affairs in the manner of his father and his future sons. Sarah is dead; the lamp in her tent is extinguished (according to Midrash Bereshit Rabba). Darkness has fallen on the camp of Abraham, and a palpable depression has settled in.
The servant reaches his destination of Aram Naharayim and the city of Nahor towards night, and causes his camels to kneel outside the city, near the well where the girls gather to draw water for their homes. Usually we skip ahead to the grand entrance of Rebecca, but let’s pause here in the dusty dusk and consider how pathetic the servant must feel. He is a tired traveler at the end of his road, at the end of the day and suddenly faced with the improbability of his task. Not only will it be hard to find Abraham’s family after all these years, but how is he to convince them to send their precious daughter off with a strange servant to start her adventure in the land of Canaan? Continue reading
“Look who thinks he’s nothing!” That’s the punch line to one of our oldest Jewish jokes—the NY Times claims it’s officially known as Jewish Joke No.73. It isn’t so funny, and I’m not retelling it here, but it does reflect an ancient Jewish conviction: True humility is a significant spiritual accomplishment.
When Abraham accuses God of injustice by planning to wipe out the cities of Sodom and Gomorrah, this appears to be the height of audacity, of hutzpah. And when God quickly agrees not to destroy the cities if fifty righteous people are found in Sodom, Abraham pauses before pushing further, not to celebrate, but to admit his own inadequacy: “Here I venture to speak to my Lord, I who am but dust and ashes.” That last phrase, וְאָנֹכִי עָפָר וָאֵפֶר “but dust and ashes” becomes Abraham’s hallmark.
This episode reflects the paradox of Abraham in all of his relationships—with Sarah and Isaac, with Hagar and Ishmael, with Lot, and with God. Abraham can be self-effacing or assertive, generous or selfish. These opposite tendencies co-exist within his heart, making you wonder who Abraham is in the end. His only self-description is this one—dust and ashes, which is to say an ephemeral presence. As Qohelet says near the end, “And the dust returns to the ground as it was” (12:7). At his moment of greatest power—reversing a divine decision—Abraham recalls his mortality. Continue reading